At noon on the second day of boat school, I folded up the

lines of plywood I had stitched together with copper wire. Before me rested

over seventeen feet of something that had the shape of a boat. It would sink, but

it had the feel of water about it. I was not particularly proud of my

accomplishment. All I had done was follow the careful but relaxed directions of

the teacher, a master boat builder named Geoff Kerr. What I had done to arrive

at my boat-like creation was all pretty basic. Drilled a few holes, cut copper

wire, slipped the wire through the holes and twisted them tight. My thumbs were

sore, my back a bit achy from standing and bending over for so many hours; I

had not done anything technically difficult. No wood to cut. No precision to

anything I had done. “Six inches between holes?” I had asked. “About, just eye

ball it.” Whatever might go wrong could be fixed. Nothing that sanding, epoxy

and paint could not fix.

On the first night at the Wooden Boat School, Rich, the generous

and welcoming director, asked everyone to introduce themselves. One man ran a

boat yard down the way and wanted to learn bronze casting; another owned four

boats and needed to know more about diesel engines. A few from the coast guard

were there to learn how to inspect wooden boats. Many people were repeat

students. What was I doing there? All I knew was that I wanted to be a student

for a while, to learn something new that had nothing to do with books or words.

My class was to build an Annapolis

Wherry, a boat I had never seen or rowed but for some reason fell in love with

the sleek lines when I saw an image on the internet. In other words, this was a

version of internet dating, impulsive and perhaps all wrong.“Do you row?” people asked, trying to

understand why I was building this boat, which is 34 inches wide, and rows like

a crew boat, with a sliding seat. Nope. “Is this a stitch and glue boat?” I had

no idea. “Is it made of plywood.”

Probably. (One week later I could say yes, and yes to these last

questions).

I have not built many things in my life. In grade school I

bought balsa wood airplane models and under the guidance of Woogie Ham (not an

invented name; the boy was teased) did a lousy job of gluing them together. I

did not have the patience for the meticulous work of airplane building. Since

then I had acquired a few tools, though I used my drill mostly to hang pictures

on the wall or curtains in the bedroom. But I do have faith that with the right

instruction I can do anything, and that anything can be taught. I wanted to

learn, to be the student, not the teacher.

I am a teacher. I teach creative writing, the personal essay

and nature writing at Bard College. As my students struggle to get their

experiences into beautiful prose, I too also often say, “it will be ok, a

little sandpaper, a little paint, and we can figure this out. Just keep going.”

Determination, going into the writing every day, twisting those bits of copper wires

even if the act of twisting is not inspired, is as essential as the great idea.

Building is building, whether a sentence or a boat.

I was building my boat in the home town and final resting

place of one of the great writers and teachers of writing, E.B. White. For a

clean sentence he can’t be beat. His Elements of Style so often guides me: write

with nouns and verbs. Use the active voice. Don’t place words in the negative

if you can write it in the positive. In tribute to White, I have named my boat

Radiant.

To build something beautiful, truly radiant, I am sure that

it takes more than following the steps. Still, rules are helpful. Stir the

epoxy well. Try not to leave globs, but if you do you can sand them off later.

Try not to use adverbs, but if you do, edit them out later. And it helps to

have a teacher confident enough in his craft to let you make mistakes and still

believe it will all work out.

And lo, at the end of the week, I had a boat. Still not

something that would float—all those holes I drilled now needed to be filled

in--but I was getting closer. It gleamed in the light as I loaded it onto the

roof of my car. I have a few weeks of work left to do—filling and sanding,

daily work that with patience will add up to something called boat.

At the same time, with Elements of Style at my side, I will

be editing my manuscript about kayaking the Hudson River. Daily work that with

patience will add up to something called book.

.

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Twitching

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Cradle Mountain